3 × 6KNetflix-approved cinema cameras on every episode
5 NovEpisode 1 launches, Thursday
The short version
We recommend Episodes 1–4 in our studio and Episodes 5 and 6 at NCB, at Signature: J$14,321,698 before GCT (J$16,469,953 with GCT), J$2,532,406 less than filming everything at NCB.
Sheree's time
Three Saturdays in October on the recommended route (two if all five series episodes are in our studio), plus a date for Episode 5 set with the chairman's office
Launch
Episode 1 on Thursday 5 November
Budget
Open and flexible. Once we're talking, we'll shape a budget that works for NCB and help with each decision.
Decision needed
Route and tier by Tuesday 6 October. A letter of intent holds the dates while the PO is raised.
AI concept reel · 33 seconds, no sound. AI concept footage that shows the direction, not the final production. Sheree Martin and Hon. Michael Lee-Chin appear as AI likenesses based on their official portraits. No likeness is used beyond this proposal without written approval from their offices.
Have a thought? Use Add a thought on any section, or Your thoughts at the bottom right. Sign in once; your note comes to Craig by email.
Our understanding
What the show has to do
You asked for three levels of production (stripped-back, mid-range and full) and for both filming routes: our studio and NCB's own spaces. Both are priced below, along with the blend we recommend.
Primary goal
Help NCB's people know and trust their new President & CEO. It should feel like a conversation between friends and leaders, not an advertisement or a corporate address.
Primary audience
NCB employees, through the atrium screens, Teams, Toast, WhatsApp and NCB's closed YouTube group.
Secondary use
Selected clips for NCB's social channels, chosen by NCB's brand and marketing team.
Non-negotiable
Authenticity. Staff know Sheree's cadence and candour, and the production has to protect it.
Why now
Why staff will watch, and why it will travel
A story people want
NCB's first woman CEO, new in the role. Staff want to know who she is and how she thinks, and many people are glad to see a woman lead the bank. This lets them meet her properly.
Made for how staff watch
Every episode plays on the atrium screens, Teams, Toast, WhatsApp and the closed YouTube group, with 35 captioned clips for phones and My Question for NCB to bring staff into the show.
The Chairman travels
As your team said on our call, the conversation with Hon. Michael Lee-Chin has global appeal. Clips of the two of them for NCB's 190th can reach well beyond the bank, and at Premiere there is an external cut and trailer for NCB to share.
The moment is now
Episode 1 lands on 5 November, early in Sheree's tenure, and The Legacy marks NCB's 190th anniversary. A first season now sets the tone for the next one.
For your CEO
The case in one minute
Goal: NCB's people get to know their new President & CEO through six warm, unscripted conversations.
Why now: Episode 1 can launch on Thursday 5 November, and Episode 5 with Hon. Michael Lee-Chin marks NCB's 190th anniversary.
What staff get: six episodes, 35 captioned clips for phones, a launch week, and My Question for NCB, which brings staff questions into the show.
Sheree's time: three Saturdays in October on the recommended route (two if all five series episodes are in our studio), plus a date for Episode 5 set with the chairman's office. Prompts, never a script.
Investment: J$14,321,698 before GCT for all six episodes (Signature, recommended route), J$2,532,406 less than filming everything at NCB.
How we'll know it worked: we measure it together with NCB: views and completion, clip shares, staff questions and one pulse question, on a shared results page both teams can watch.
Budget: open and flexible. Once we're talking, we'll shape a budget that works for NCB and help with each decision.
Decision needed: route and tier by Tuesday 6 October.
Season 1 at a glance
Six episodes, one season look
Each episode runs 30–45 minutes. Episode 5 runs up to an hour and is released in two parts.
Episode 1
Influence Is the New Currency
Scott Dunn (Dream Entertainment) and Romeich Major (Romeich Major Marketing)
Authenticity, influence and modern leadership in emerging industries.
Episode 2
The Balancing Act
Sanya Goffe and Paige Golding
Ambition, wellbeing, family and purpose.
Episode 3
The Art of Innovation
Kevin Kennedy and Rashidi Thomas (GiftMe)
Courage, creativity and leading transformation.
Episode 4
Bridging the Generation Divide
Three generations of NCB team members
A roundtable on culture, mentorship and the future of work.
Episode 5 · The flagship
The Legacy
Hon. Michael Lee-Chin, Chairman, NCB Financial Group
Stewardship, legacy and building institutions that endure, for NCB's 190th anniversary.
Episode 6
Champions (working title)
Five or six players from NCB's Business House division-winning football team
Teamwork and winning together.
In every episode
Lessons from the Journey
About five minutes. Sheree shares one defining moment from her career and the practical lesson she took from it.
In every episode
My Question for NCB
Every guest leaves one question for the organisation. We cut each as its own clip so staff can respond, and staff answers, filmed by NCB as vox pops, can feature from Episode 2.
Release cadence: one release a month from 5 November, as Sheree asked. Episode 5 is released in two parts. If NCB splits other long conversations in two, one part a month stretches the season towards 12 months.
Your input
Help us shape Season 1
Four questions we would ask you in the room. Tap one to answer it in Your thoughts; it goes straight to Craig.
Creative approach
A conversation between friends
The look follows the style you preferred, Aspire with Emma Grede, rather than The Diary of a CEO: lounge chairs, no table between them (Episode 4 is a roundtable), and Sheree seen in full, with her posture, her style and how she reacts. We carry it into every episode, in our studio and at NCB.
Set: lounge chairs angled toward each other (three for Episodes 1–3, which each have two guests), a low side table, a rug, plants and warm wood. Episode 6 uses a sofa with stools behind it.
Framing: a wide that shows each person in full, shoes and all, with close-ups for the moments that matter. Nothing cuts anyone off at the waist.
Same look at NCB: the episode filmed in the atrium uses the same lighting, framing and grade as the studio episodes, so it sits naturally beside them.
Personal touches: an In Good Company cup, talking cards and the books Sheree is reading. Mics sit on floor stands with branded flags, so nothing blocks the frame.
Prompting, not scripting: the teleprompter carries thematic buckets and keynotes only, never a script. NCB leads Sheree's preparation.
Running time: we record about 45 minutes of conversation for every 30 released. With Sheree's intro and Lessons segment, each episode takes about 75 minutes on set.
Attention-span test: before NCB locks episode length, we cut a 5-minute version of Episode 1 for an internal test. Included at Signature and Premiere; J$272,000 at Essential.
Four ways to set the atrium
Morning: skylight, palms and a fresh, bright look.
Four NCB backgrounds
The atrium by the slate wall, with the glass lifts and stone balconies.
Four NCB backgrounds, one set
The same real set in front of backgrounds captured in NCB's own spaces: one at Essential, three at Signature, more at Premiere. Each episode can have its own world, with no rebuild.
AI concept
AI concept · in the studio. How Sheree would look on our studio set, in front of a background matched to The Atrium.
Every set frame in this section is an AI concept, made to show the look.
Episodes 1–3. Three chairs for Sheree and her two guests.Episode 4. A roundtable for three generations of NCB team members. The wood-slat meeting room is the alternative.
The set wall
A wall that carries the show
The wall behind Sheree is where the show's name lives on camera. At NCB it is a physical set piece on the atrium floor. In our studio the same design is built into the virtual background, or can stand as a real piece in front of it. Pick the design, or mix them by episode.
On location · the atrium
Brass on wood slats: IN GOOD COMPANY with Sheree Martin in polished brass on a walnut slat wall, with a small NCB mark. The slats also soften the echo.
Where it lives: on location each design is a freestanding set piece in the atrium; in our studio it becomes part of the virtual NCB background. The Legacy plaque is made for the chandelier room.
What is included: at Signature and Premiere the In Good Company title wall is built into the studio background, and built for real if everything is filmed at NCB. The branded screen comes with Premiere. The other designs we will quote.
Logos: NCB's logo is shown here for placement only. Final artwork comes from NCB's brand files, with Group Marketing & Communications' approval.
Episode 6 · on set
Three cameras, every reaction covered
Every tier has three Netflix-approved 6K cinema cameras: a wide, one on Sheree and one on her guests. We switch live and record every camera separately, so the edit can reframe and rebalance voices. Premiere adds a fourth, roaming camera.
AI concept
AI concept · Episode 6, the football team. The players are fictional. Sheree sits across from the players; a sofa with stools behind it puts five or six at different heights in one frame. The monitors show each camera: the team on camera 3, the wide on camera 1 and Sheree on camera 2.
Cam 1 · WideCam 2 · ShereeCam 3 · Guests or team
The plan. In the guest conversations camera 3 holds both guests; in Episode 6 it holds the team.Camera 2. Sheree framed between the players' shoulders.The multiview. NCB's producer sees every camera as we record.
The reverse angle. Sheree faces the players, with her close-up on the floor monitor.
Episode 5 · the flagship
The Legacy
NCB's first woman CEO in conversation with the Chairman of NCB Financial Group, to mark NCB's 190th anniversary.
This episode gets its own Saturday and its own budget line in every route and tier, with a cinematic treatment at Signature and Premiere. We'll set the date with the chairman's office; it doesn't need to follow the episode order, so it can open the anniversary year if NCB prefers.
AI concept
Opening
At the lift
Sheree greets Mr Lee-Chin as he steps out of the glass lift, and they walk through the building together.
AI concept
Walk-and-talk
The terrace
Out along the fifth-floor terrace, with New Kingston and the Blue Mountains behind them. Wireless lapel mics; a gimbal at Signature and Premiere.
AI concept
The conversation
The chandelier room
Seated in the wood-panelled chandelier room or on the chairman's floor (to confirm with the chairman's office), up to 60 minutes, released in two parts.
AI concept
Option · we will quote
Invited guests
A small audience in the room, such as long-serving staff, retirees or NCB Foundation scholars. It turns the conversation into an occasion; we'll quote once numbers are agreed with the chairman's office.
AI concept loops, not real footage. Sheree Martin and Hon. Michael Lee-Chin are AI likenesses based on their official portraits; everyone else is fictional.
Look: at Signature and Premiere, a warmer, more cinematic grade and more camera movement than the series episodes. Premiere adds a Steadicam operator, a focus puller and a fourth camera.
Two versions: the internal episode and, at Premiere, an external 190th-anniversary cut with a trailer for NCB's brand team to use publicly.
10 social edits from Episode 5 at every tier, twice the number for the other episodes.
Distribution and staff engagement
Beyond the episodes
Six strong conversations are the core. These pieces get staff talking about the show before, during and after launch. Most are already in the tiers.
A launch week, not just a link
In the week before 5 November, the teaser loops on the atrium screens and goes out to phones. It is included at Signature and Premiere, and costs J$135,000 at Essential. On launch day, Sheree can introduce Episode 1 at a short screening in the atrium, streamed to branches on Teams. NCB's events team may prefer to host it; if you'd like us to run the screens, sound and stream, we will quote once the format is set.
The week before. The teaser in the atrium.
AI concept
Launch day (AI concept). Sheree introduces Episode 1 in the atrium.
Built for phones
Every episode comes with vertical, captioned clips: a short episode promo, Sheree's Lessons from the Journey and each guest's My Question for NCB. That is 5 edits an episode and 10 from Episode 5, at every tier, and more at J$34,000 each.
My Question for NCB becomes a loop: the guest asks, staff answer on their phones, and the best answers appear in the next episode.
One look for the whole season
Title cards, thumbnails and lower thirds share one palette, typeface and set world, so every release is recognisably In Good Company in a feed or on the atrium screens. The cup, talking cards and mic flags carry the same identity on set. Their artwork is in every tier; at Signature and Premiere we make the props too, and they stay with NCB.
Every channel, the day it's approved
A horizontal master for the atrium screens, Teams, Toast and the closed YouTube group, plus mobile-friendly files for WhatsApp. Chapters at Signature and Premiere.
The Legacy beyond staff
At Premiere, Episode 5 also gets an external cut and a trailer, so NCB can share Hon. Michael Lee-Chin's conversation with Sheree for the 190th anniversary.
YouTube
YouTube, inside NCB and beyond
The closed YouTube group is where staff watch. With NCB's approval, the best moments can also reach the public, the diaspora and the Chairman's audience abroad.
Inside NCB
Built to keep people watching: chapters at Signature and Premiere, a thumbnail in the series look and a playlist, so one episode leads into the next.
Two parts where it helps: long conversations can be released in two parts, which holds attention and gives staff two moments to talk about.
Clips for phones: the vertical clips work as YouTube Shorts as well as on WhatsApp and Teams.
A launch-day watch party: Episode 1 goes live at a set time, so staff watch together, in the atrium and online.
Beyond NCB, with your approval
Shorts on NCB's public channel: Lessons from the Journey and the moments NCB's brand team picks, captioned and cut for Shorts.
The Legacy for the 190th: at Premiere, the external cut launches as a YouTube Premiere, with its trailer a week ahead.
Reach the diaspora: a paid YouTube campaign in Jamaica and to Jamaicans in the US, Canada and the UK, where Mr Lee-Chin is well known.
Found in search: titles, descriptions and end screens that point people back to NCB.
YouTube promotion is optional. We quote it as one line, sized to the reach you want, and report the results on the shared results page.
How you'll know it worked
We measure it together. Before launch we agree a few simple measures with you. After each release NCB shares the figures from its own channels, and we put them on one shared results page both teams can watch, so we can see what staff respond to and shape the next episode around it.
Reach and finish: views, and how far people watch, on Teams and NCB's YouTube group, for each episode and clip.
Conversation: staff answers to My Question for NCB, and which clips staff share.
Sentiment: one pulse question to staff before Episode 1 and after Episode 6, such as "I feel I know our CEO".
A test before we lock it: the 5-minute test cut, shown to a small group of staff, sets the running time.
One thing for NCB IT: staff will want to watch from home, so the closed YouTube group needs to allow staff access outside the office.
Proof, not promises
Real work from our studio
The frames above are concepts. This is real: our studio, our cameras and conversations we have produced for clients.
Real footage · showreel
Adtelligent Studios in 94 seconds, with sound: the stage, the keyer, the cameras and the control room, with work for JDIC, the Students' Loan Bureau and others.
Real client work
JDIC · Salon ChroniclesA deposit-insurance message for the Jamaica Deposit Insurance Corporation, written as a comedy sketch and filmed on location. 0:59, sound on.
The studio is the lowest price at every tier. We recommend Route C, which keeps that saving for four episodes. The Chairman's conversation and the football team are filmed in NCB's own spaces; the guest conversations are filmed in our studio on backgrounds captured inside NCB.
A
Our studio Lowest price
You save at Signature, against all at NCB
J$4.07M
Episodes 1–4
Studio
Episode 6
Studio
Episode 5
NCB
Episodes per shoot day
3, so two studio days in all
Main strength
Fastest, quietest, most consistent picture and sound
Main trade-off
Needs strong background capture to feel like NCB
B
All at NCB
Extra cost at Signature
+J$4.07M
Episodes 1–4
NCB
Episode 6
NCB
Episode 5
NCB
Episodes per shoot day
2
Main strength
The real place every time
Main trade-off
Costs the most: the set travels, and is rigged and struck every day
C
Studio, Episode 6 at NCB Recommended
You save at Signature, against all at NCB
J$2.53M
Episodes 1–4
Studio, on backgrounds filmed inside NCB
Episode 6
NCB, on NCB's own sofa and stools
Episode 5
NCB
Episodes per shoot day
2
Main strength
The real place where it matters most; studio efficiency for the rest
Main trade-off
One extra location day, so J$1.54M more than all in the studio at Signature
Sound: glass and stone echo. At Signature and Premiere we build a three-sided "room within a room": wood-slat panels behind the chairs, acoustic panels at the sides and a rug underneath. At Essential we use sound blankets and a rug around NCB's own furniture. Every tier records broadcast mics, with lapel mics as backup.
Light: soft key, fill and backlight for each person, with daylight through the glass controlled so the look holds as the sun moves.
Building: Saturday access and security, power circuits, and HVAC, announcements and lift chimes paused while we record, agreed with NCB facilities in advance.
Time: about 3 hours to build and light, about an hour to reset between episodes and about 2 hours to strike. Two episodes a day is the realistic maximum.
Where in the Atrium
Five spaces in the building, on location or as studio backgrounds. We'll confirm each when we walk the spaces with NCB facilities.
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Space
Best for
Why it works
The atrium floor, by the slate wall
Episode 6, the launch-day screening and the main studio background
Full height, with the glass lifts and stone balconies behind; the room-within-a-room handles the echo
The executive boardroom
Alternative studio background for Episodes 1–4; back-up location for any episode
Black feature wall with a screen and a marble table; quiet and easy to control
The wood-panelled chandelier room
The Episode 5 conversation
Panelling, chandelier and display cabinets give the 190th-anniversary heritage feel
The fifth-floor terrace
The Episode 5 opening walk-and-talk, and B-roll
Bougainvillea and a view over New Kingston to the Blue Mountains; best in late-afternoon light
The wood-slat meeting room
Studio background or location for the Episode 4 roundtable
A warm wood-slat wall and a long table already in place
In our studio, step by step
How virtual production works
Everything in front of the camera is real: Sheree, her guests, the chairs, the rug, the cups. Only the background is virtual, and the background is NCB, filmed in your own building. Our keyer puts it behind them live, so everyone sees the finished picture while we record.
Behind the camera. A guest on our blue screen.On screen, live. The same take, in a virtual room. For NCB, the room is the Atrium.
Real frames from the Adtelligent Studios showreel.
1 · Half a day at NCB
We film NCB's spaces
On a quiet Saturday or after banking hours we film each background for about 8 minutes per camera angle, logging the lens, height and where the daylight falls.
2 · The day before
We dress the real foreground
Chairs, rug, tables, plants and NCB-branded cups and mic flags go on our pre-lit stage. At Signature and Premiere, the In Good Company title wall is built into the background.
3 · Live, on every take
The keyer puts NCB behind them
Our Ultimatte 12 4K keyer and live switcher place each camera's matched NCB background in real time, so Sheree, the guests and the director see the finished picture on the monitors.
4 · Studio shoot days
We film up to three conversations a day
Three 6K cinema cameras and broadcast mics in a soundproofed room. Between episodes we change the background in minutes; nothing is moved and nothing echoes.
5 · Edit and deliver
We cut each episode
Graded, mixed and titled, with 5 social edits from every episode and 10 from the Lee-Chin episode.
Why it costs less
Nothing travels
The stage, cameras and lights stay rigged, and most of the set is virtual, so the studio episodes need no truck, no daily set-up and take-down and no building costs at NCB. At Signature the recommended route saves J$2,532,406 against filming everything at NCB; all five series episodes in our studio save J$4,071,947.
People seated in conversation, on virtual sets, filmed on the same stage, with the same keyer and cameras we would use for NCB.
JDIC. Staff seated on virtual sets for JDIC's money series. For JDIC we also filmed about 20 staff on backgrounds captured in JDIC's own building, for an internal tribute. The guest of honour couldn't tell it hadn't been filmed on site.A seated conversation. Real armchairs and microphones, a virtual living room.The 4K keyer. Clean edges and hair detail, live, in 4K.
Real footage · our studio
Real, not AI. Our Canon cinema cameras, the switcher and Ultimatte keyer, a guest on a virtual set, a seated conversation and JDIC's money series, all filmed on our stage. The full 94-second showreel, with sound, is under Our work.
Our studio or NCB, side by side
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Each shoot day
Our virtual production studio
At NCB
Before filming
Nothing to set up: the stage, cameras and lights stay rigged
About 3 hours to truck in, build the set and light it
After filming
Nothing to take down
About 2 hours to strike and truck out
The set
Real chairs, rug, tables and props; the title wall and NCB's spaces are in the background
A physical set, built and made to travel
Sound
A soundproofed room
Glass and stone echo; announcements, lift chimes and air conditioning paused while we record
Light
The same on every take
Daylight through the glass changes through the day
Between episodes
Minutes: change the background
About an hour to reset
Episodes a day
Three, so Episodes 1–4 and 6 take two days
Two at most, so they take three days
At Signature
You save J$4,071,947
The higher cost
Cameras: Canon EOS C400 6K full-frame cinema cameras, on Netflix's approved camera list.
Keying and switching: Ultimatte 12 4K keyer with live multi-camera switching and a separate recording of every camera.
Stage: a 25 ft × 20 ft pre-lit cyclorama with green and blue screen.
Sound and control: a double-sealed, double-door soundproofed room and a sound-dampened control room.
Every camera is matched. We record one background per camera angle and light the set from the same direction as NCB's daylight, so eyelines, horizons and shadows line up. Each background runs long enough to loop invisibly, with natural movement in it.
Studio examples
Click through the studio
AI concept frames of our studio set, the NCB backgrounds behind it, and the worlds we can build. Use the arrows, the thumbnails or your keyboard.
AI concept · our studio1 / 17
Our set, an NCB backgroundAI concept: Sheree on our studio set, in front of a background matched to The Atrium.
Beyond NCB's walls · optional
Studio worlds for each story
The same real chairs and props in front of virtual worlds. A world can match an episode's theme. Optional at any tier; we will quote per world.
Studio lounge. Vinyl, tape and a mixing desk, for Influence Is the New Currency.Coffee verandah. A Blue Mountain morning, for The Balancing Act.Art gallery. Caribbean colour, for The Art of Innovation.Drawing room. Georgian heritage, with the hills through the sash windows.Harbour penthouse. Kingston Harbour at blue hour.Night lounge. New Kingston lights.
Included at Premiere
Lessons from the Journey, where it happened
Virtual recreations of places from Sheree's career, such as a 1990s Kingston bank branch or a utility control room from her years in the energy sector, so each Lessons segment sits where its story happened. J$164,000 an episode at Essential and Signature.
1990s. A Kingston bank branch.2010s. A utility control room.
What each tier includes
What you get, and what it costs
Every line, tier by tier, for each place we could film. Pick a route to see its figures. Each tier includes everything in the one before it. Amounts are in Jamaican dollars, before GCT.
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What you get
Essential stripped-back
Signature mid-range · recommended
Premiere full production
Production and editingEpisodes 1–4 and 6
Planning and guest briefs; 2 days on our virtual production stage at three episodes a day, with the stage left rigged and three Netflix-approved 6K cinema cameras with live switching and separate recording of each camera, lighting, broadcast sound and teleprompter; editing with sound polish and lower thirds; coordination6,142,678
Same in every tier6,142,678
Same in every tier6,142,678
Studio savingproduction and editing
10% off production and editing, because the stage, cameras and lights are ours−614,268
10% off production and editing, because the stage, cameras and lights are ours−614,268
10% off production and editing, because the stage, cameras and lights are ours−614,268
Location lightingNCB days
Not needed: our stage is pre-lit—
Not needed: our stage is pre-lit—
Not needed: our stage is pre-lit—
Extra pre-production
Not included—
Set and wardrobe planning83,000
Set and wardrobe planning, plus a director's treatment for each episode245,000
Extra crew and lightingon shoot days
Not included—
A fuller lighting package on every shoot day112,000
As Signature, plus a dedicated director and a fourth roaming camera503,000
Extra editing5 episodes
Not included—
Colour grade, chapters and B-roll inserts265,000
As Signature, plus motion graphics and a full grade732,000
Set design and buildvirtual production, in our studio
Real chairs, rug and tables with NCB-branded cups and mic flags, in front of one NCB space filmed as the background433,000
Real foreground set (chairs, rug, tables, plants, props) in front of NCB backgrounds filmed across three spaces, with the In Good Company title wall built into the background; branded cups and mic flags stay with NCB887,000
Fully dressed foreground set in front of several NCB backgrounds and angles, with the title wall and branded screen built into the background; props stay with NCB1,454,000
Set rig and strike1 location day (Episode 5)
Crew and truck to set up before and take down after each NCB day127,000
As Essential, with more crew for the bigger set and dressing197,000
As Signature, with a larger crew266,000
Hair and makeupevery shoot day
One hair and makeup artist on every shoot day, Episode 5 included156,000
One hair and makeup artist on every shoot day, Episode 5 included156,000
One hair and makeup artist on every shoot day, Episode 5 included156,000
Social edits25 in total
5 vertical, captioned edits per episode975,000
5 vertical, captioned edits per episode975,000
5 vertical, captioned edits per episode975,000
Series identitywhole season
Lower thirds, thumbnail template, simple open, cup and mic-flag artwork233,000
Full open and close, My Question for NCB bumper, cup and mic-flag artwork434,000
As Signature, with richer animation597,000
Teaser and test cutbefore launch
Add-on: J$352,000 for both—
Season teaser and 5-minute test cut352,000
Teaser, test cut and trailer492,000
B-rollguest follow shoots
Footage supplied and cleared by guests or NCB—
Two half-day guest follow shoots640,000
Three half-day guest follow shoots880,000
Behind-the-scenes stillsshoot days
Not included—
Not included—
Stills photographer on every series shoot day285,312
Lessons from the JourneySheree's segment
Filmed on the episode set; recreations J$164,000 an episode—
Filmed on the episode set; recreations J$164,000 an episode—
Virtual recreations of places from Sheree's career, one per episode982,000
Speaker summariesper episode
Add-on: J$131,000 an episode—
Add-on: J$131,000 an episode—
A designed PDF for each episode786,000
Episode 5 with Hon. Michael Lee-ChinThe Legacy · own day · 10 social edits
Seated conversation and simple walk-and-talk, edit in two parts, 10 social edits2,769,747
As Essential, plus gimbal walk-and-talk, chandelier-room dressing and a cinematic grade3,152,747
As Signature, plus Steadicam, focus puller, fourth camera, external 190th cut and trailer3,845,747
Season total, before GCT
J$10,222,157
J$12,782,157
J$17,727,469
Average per episode, before GCTThe season divided by six, Episode 5 included
J$1,703,693
J$2,130,360
J$2,954,578
GCT at 15%
1,533,324
1,917,324
2,659,120
Season total, including GCT
J$11,755,481
J$14,699,481
J$20,386,589
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What you get
Essential stripped-back
Signature mid-range · recommended
Premiere full production
Production and editingEpisodes 1–4 and 6
Planning and guest briefs; 2 days on our virtual production stage and 1 day in the NCB atrium, three Netflix-approved 6K cinema cameras with live switching and separate recording of each camera, lighting, broadcast sound and teleprompter; transport; editing with sound polish and lower thirds; coordination6,670,098
Same in every tier6,670,098
Same in every tier6,670,098
Studio savingproduction and editing
10% off production and editing for Episodes 1–4, the episodes made in our studio−511,147
10% off production and editing for Episodes 1–4, the episodes made in our studio−511,147
10% off production and editing for Episodes 1–4, the episodes made in our studio−511,147
Location lightingNCB days
A daylight-balancing lighting package, a gaffer, a grip and power on each NCB day346,000
A daylight-balancing lighting package, a gaffer, a grip and power on each NCB day346,000
A daylight-balancing lighting package, a gaffer, a grip and power on each NCB day346,000
Extra pre-production
Not included—
Set and wardrobe planning83,000
Set and wardrobe planning, plus a director's treatment for each episode245,000
Extra crew and lightingon shoot days
Not included—
A fuller lighting package on every shoot day168,000
As Signature, plus a dedicated director and a fourth roaming camera754,000
Extra editing5 episodes
Not included—
Colour grade, chapters and B-roll inserts265,000
As Signature, plus motion graphics and a full grade732,000
Set design and buildvirtual production, in our studio
Real chairs, rug and tables with NCB-branded cups and mic flags, in front of one NCB space filmed as the background433,000
Real foreground set (chairs, rug, tables, plants, props) in front of NCB backgrounds filmed across three spaces, with the In Good Company title wall built into the background; branded cups and mic flags stay with NCB887,000
Fully dressed foreground set in front of several NCB backgrounds and angles, with the title wall and branded screen built into the background; props stay with NCB1,454,000
The set in the atriumEpisode 6
NCB's own sofa and stools, sound blankets and a rug108,000
NCB's own sofa and stools, acoustic panels, a rug and a freestanding In Good Company panel258,000
As Signature, fully dressed with plants, props and a branded screen408,000
Set rig and strike2 location days (Episodes 6 and 5)
Crew and truck to set up before and take down after each NCB day254,000
As Essential, with more crew for the bigger set and dressing394,000
As Signature, with a larger crew532,000
Hair and makeupevery shoot day
One hair and makeup artist on every shoot day, Episode 5 included208,000
One hair and makeup artist on every shoot day, Episode 5 included208,000
One hair and makeup artist on every shoot day, Episode 5 included208,000
Social edits25 in total
5 vertical, captioned edits per episode975,000
5 vertical, captioned edits per episode975,000
5 vertical, captioned edits per episode975,000
Series identitywhole season
Lower thirds, thumbnail template, simple open, cup and mic-flag artwork233,000
Full open and close, My Question for NCB bumper, cup and mic-flag artwork434,000
As Signature, with richer animation597,000
Teaser and test cutbefore launch
Add-on: J$352,000 for both—
Season teaser and 5-minute test cut352,000
Teaser, test cut and trailer492,000
B-rollguest follow shoots
Footage supplied and cleared by guests or NCB—
Two half-day guest follow shoots640,000
Three half-day guest follow shoots880,000
Behind-the-scenes stillsshoot days
Not included—
Not included—
Stills photographer on every series shoot day366,609
Lessons from the JourneySheree's segment
Filmed on the episode set; recreations J$164,000 an episode—
Filmed on the episode set; recreations J$164,000 an episode—
Virtual recreations of places from Sheree's career, one per episode982,000
Speaker summariesper episode
Add-on: J$131,000 an episode—
Add-on: J$131,000 an episode—
A designed PDF for each episode786,000
Episode 5 with Hon. Michael Lee-ChinThe Legacy · own day · 10 social edits
Seated conversation and simple walk-and-talk, edit in two parts, 10 social edits2,769,747
As Essential, plus gimbal walk-and-talk, chandelier-room dressing and a cinematic grade3,152,747
As Signature, plus Steadicam, focus puller, fourth camera, external 190th cut and trailer3,845,747
Season total, before GCT
J$11,485,698
J$14,321,698
J$19,762,307
Average per episode, before GCTThe season divided by six, Episode 5 included
J$1,914,283
J$2,386,950
J$3,293,718
GCT at 15%
1,722,855
2,148,255
2,964,346
Season total, including GCT
J$13,208,553
J$16,469,953
J$22,726,653
Swipe the table to see every column →
What you get
Essential stripped-back
Signature mid-range · recommended
Premiere full production
Production and editingEpisodes 1–4 and 6
Planning and guest briefs; 3 days in the NCB atrium with three Netflix-approved 6K cinema cameras, live switching and separate recording of each camera, lighting, broadcast sound and teleprompter, rigged and struck each day; transport and building costs; editing with sound polish and lower thirds; coordination7,024,357
Same in every tier7,024,357
Same in every tier7,024,357
Studio savingproduction and editing
Only when you film in our studio—
Only when you film in our studio—
Only when you film in our studio—
Location lightingNCB days
A daylight-balancing lighting package, a gaffer, a grip and power on each NCB day1,038,000
A daylight-balancing lighting package, a gaffer, a grip and power on each NCB day1,038,000
A daylight-balancing lighting package, a gaffer, a grip and power on each NCB day1,038,000
Extra pre-production
Not included—
Set and wardrobe planning83,000
Set and wardrobe planning, plus a director's treatment for each episode245,000
Extra crew and lightingon shoot days
Not included—
A fuller lighting package on every shoot day168,000
As Signature, plus a dedicated director and a fourth roaming camera754,000
Extra editing5 episodes
Not included—
Colour grade, chapters and B-roll inserts265,000
As Signature, plus motion graphics and a full grade732,000
Set design and builda physical set, built to travel to NCB
NCB's own furniture with sound blankets, a rug and NCB branding, packed to travel619,000
Custom wood-slat title wall with brass lettering, acoustic panels, furniture, rug and props, built flat-pack in road cases; branded cups and mic flags stay with NCB1,726,000
Fully dressed custom set with a branded screen, built flat-pack in road cases2,833,000
Set rig and strike4 location days
Crew and truck to set up before and take down after each NCB day508,000
As Essential, with more crew for the bigger set and dressing788,000
As Signature, with a larger crew1,064,000
Hair and makeupevery shoot day
One hair and makeup artist on every shoot day, Episode 5 included208,000
One hair and makeup artist on every shoot day, Episode 5 included208,000
One hair and makeup artist on every shoot day, Episode 5 included208,000
Social edits25 in total
5 vertical, captioned edits per episode975,000
5 vertical, captioned edits per episode975,000
5 vertical, captioned edits per episode975,000
Series identitywhole season
Lower thirds, thumbnail template, simple open, cup and mic-flag artwork233,000
Full open and close, My Question for NCB bumper, cup and mic-flag artwork434,000
As Signature, with richer animation597,000
Teaser and test cutbefore launch
Add-on: J$352,000 for both—
Season teaser and 5-minute test cut352,000
Teaser, test cut and trailer492,000
B-rollguest follow shoots
Footage supplied and cleared by guests or NCB—
Two half-day guest follow shoots640,000
Three half-day guest follow shoots880,000
Behind-the-scenes stillsshoot days
Not included—
Not included—
Stills photographer on every series shoot day366,609
Lessons from the JourneySheree's segment
Filmed on the episode set; recreations J$164,000 an episode—
Filmed on the episode set; recreations J$164,000 an episode—
Virtual recreations of places from Sheree's career, one per episode982,000
Speaker summariesper episode
Add-on: J$131,000 an episode—
Add-on: J$131,000 an episode—
A designed PDF for each episode786,000
Episode 5 with Hon. Michael Lee-ChinThe Legacy · own day · 10 social edits
Seated conversation and simple walk-and-talk, edit in two parts, 10 social edits2,769,747
As Essential, plus gimbal walk-and-talk, chandelier-room dressing and a cinematic grade3,152,747
As Signature, plus Steadicam, focus puller, fourth camera, external 190th cut and trailer3,845,747
Season total, before GCT
J$13,375,104
J$16,854,104
J$22,822,713
Average per episode, before GCTThe season divided by six, Episode 5 included
J$2,229,184
J$2,809,017
J$3,803,786
GCT at 15%
2,006,266
2,528,116
3,423,407
Season total, including GCT
J$15,381,370
J$19,382,220
J$26,246,120
Estimates, open to discussion. Prices may go up or down as details are confirmed after we walk the spaces with NCB facilities: the level of set design and lighting, how much we move and set up each day, and the size of the crew. We are happy to negotiate, pass savings on to NCB and adjust once we have talked.
No separate management fee. Coordination, account management and transport are built into each line.
Social edits at every tier: 5 vertical, captioned edits per episode and 10 from Episode 5, 35 in total. More at J$34,000 each; extra clips cost less because they're cut from an episode that is already edited and captioned.
In every tier: three Netflix-approved 6K cinema cameras with live switching and separate recording of each camera, broadcast sound, a teleprompter for thematic prompts, hair and makeup, and both signature segments.
Studio or NCB · what you save
The real NCB where it matters. Our studio where it saves.
We recommend filming the four guest conversations in our studio, on backgrounds filmed inside NCB, and the two episodes that belong in the building, the Chairman's conversation and the football team, in NCB's own spaces. At Signature that is J$14,321,698 before GCT, J$2,532,406 (15%) less than filming everything at NCB. If price matters most, filming Episode 6 in our studio too brings the season to J$12,782,157, J$4,071,947 (24%) less. Same crew, cameras, tier and episodes either way.
Essential14% lessRecommended route: you save J$1,889,406, about J$315,000 an episodeAll in our studio: 24% less, you save J$3,152,947
Recommended route, before GCT
J$11,485,698average J$1,914,283 an episode
All in our studio, before GCT
J$10,222,157average J$1,703,693 an episode
All at NCB, before GCT
J$13,375,104average J$2,229,184 an episode
Signature15% lessRecommended route: you save J$2,532,406, about J$422,000 an episodeAll in our studio: 24% less, you save J$4,071,947
Recommended route, before GCT
J$14,321,698average J$2,386,950 an episode
All in our studio, before GCT
J$12,782,157average J$2,130,360 an episode
All at NCB, before GCT
J$16,854,104average J$2,809,017 an episode
Premiere13% lessRecommended route: you save J$3,060,406, about J$510,000 an episodeAll in our studio: 22% less, you save J$5,095,244
Recommended route, before GCT
J$19,762,307average J$3,293,718 an episode
All in our studio, before GCT
J$17,727,469average J$2,954,578 an episode
All at NCB, before GCT
J$22,822,713average J$3,803,786 an episode
How the percentage works: the saving divided by the all-at-NCB price for the same tier. Recommended route: J$1,889,406 of J$13,375,104 is 14% (Essential), J$2,532,406 of J$16,854,104 is 15% (Signature) and J$3,060,406 of J$22,822,713 is 13% (Premiere). All in our studio: 24%, 24% and 22%.
Why the saving in money grows with the tier: part of it (fewer shoot days at NCB, the studio saving and no location lighting) is much the same at every tier. The rest grows because a bigger set, more lighting and more crew all have to be moved and set up at NCB every day, while in our studio they stay put.
Why Premiere's percentage is a little lower: Premiere adds pieces that cost the same wherever we film (the Lessons recreations, speaker summaries and the extra Episode 5 work), so the share saved is lower even though the amount saved is the highest.
Averages per episode divide the season by six, with Episode 5 included.
Estimates now, one agreed price after the walk-through. Once we have walked the spaces with NCB facilities, we confirm one price for the agreed scope, and after that it changes only by a written change order you approve. Until then prices may go up or down as details are confirmed, and we are happy to negotiate, pass savings on to NCB and adjust once we have talked.
Line by line: where the saving comes from
To show every line that changes, this table sets all five series episodes in our studio against filming everything at NCB. The recommended route sits between the two: Episode 6 in the atrium adds J$1,539,541 at Signature. Pick a tier. Lines marked Same cost the same wherever we film.
Swipe the table to see every column →
What it covers · Essential
All at NCBAt NCB
All in our studioStudio
You saveSave
Production and editingEpisodes 1–4 and 6. In our studio: three episodes a day over two days, with the stage left rigged. At NCB: two a day over three days, plus transport, building costs and half a day of crew time each day to set up and take down cameras, lights and sound.
7,024,3577.02M
6,142,6786.14M
881,6790.88M
Studio saving10% off production and editing when you film in our studio, because the stage, cameras and lights are ours.
—
−614,268−0.61M
614,2680.61M
Location lightingAt NCB: a daylight-balancing lighting package, a gaffer, a grip and power on every NCB day. Our studio is pre-lit.
1,038,0001.04M
—
1,038,0001.04M
Set design and buildAt NCB: every piece built for real and made to travel, with acoustic treatment for the atrium. In our studio the title wall and NCB's spaces are virtual, so only the foreground is built.
619,0000.62M
433,0000.43M
186,0000.19M
Set rig and strikeAt NCB: crew and truck to put the set up and take it down every NCB day. In our studio only the Episode 5 day, which is at NCB on every route.
508,0000.51M
127,0000.13M
381,0000.38M
Hair and makeupOne fewer shoot day in our studio
208,0000.21M
156,0000.16M
52,0000.05M
Social edits (25)Episodes 1–4 and 6; Episode 5's 10 are in its own line
975,0000.97M
975,0000.97M
Same
Series identity
233,0000.23M
233,0000.23M
Same
Episode 5 with Hon. Michael Lee-ChinAt NCB on every route, with 10 social edits
2,769,7472.77M
2,769,7472.77M
Same
Season, before GCT
13,375,10413.38M
10,222,15710.22M
3,152,9473.15M
Average per episode, before GCTThe season divided by six, Episode 5 included
2,229,1842.23M
1,703,6931.70M
525,4910.53M
GCT at 15%
2,006,2662.01M
1,533,3241.53M
472,9420.47M
Season, including GCT
15,381,37015.38M
11,755,48111.76M
3,625,8893.63M
Swipe the table to see every column →
What it covers · Signature
All at NCBAt NCB
All in our studioStudio
You saveSave
Production and editingEpisodes 1–4 and 6. In our studio: three episodes a day over two days, with the stage left rigged. At NCB: two a day over three days, plus transport, building costs and half a day of crew time each day to set up and take down cameras, lights and sound.
7,024,3577.02M
6,142,6786.14M
881,6790.88M
Studio saving10% off production and editing when you film in our studio, because the stage, cameras and lights are ours.
—
−614,268−0.61M
614,2680.61M
Location lightingAt NCB: a daylight-balancing lighting package, a gaffer, a grip and power on every NCB day. Our studio is pre-lit.
1,038,0001.04M
—
1,038,0001.04M
Set design and buildAt NCB: every piece built for real and made to travel, with acoustic treatment for the atrium. In our studio the title wall and NCB's spaces are virtual, so only the foreground is built.
1,726,0001.73M
887,0000.89M
839,0000.84M
Set rig and strikeAt NCB: crew and truck to put the set up and take it down every NCB day. In our studio only the Episode 5 day, which is at NCB on every route.
788,0000.79M
197,0000.20M
591,0000.59M
Extra crew and lightingOn two studio days instead of three
168,0000.17M
112,0000.11M
56,0000.06M
Hair and makeupOne fewer shoot day in our studio
208,0000.21M
156,0000.16M
52,0000.05M
Extra pre-production
83,0000.08M
83,0000.08M
Same
Extra editing
265,0000.27M
265,0000.27M
Same
Social edits (25)Episodes 1–4 and 6; Episode 5's 10 are in its own line
975,0000.97M
975,0000.97M
Same
Series identity
434,0000.43M
434,0000.43M
Same
Teaser and test cut
352,0000.35M
352,0000.35M
Same
B-roll guest follow shoots
640,0000.64M
640,0000.64M
Same
Episode 5 with Hon. Michael Lee-ChinAt NCB on every route, with 10 social edits
3,152,7473.15M
3,152,7473.15M
Same
Season, before GCT
16,854,10416.85M
12,782,15712.78M
4,071,9474.07M
Average per episode, before GCTThe season divided by six, Episode 5 included
2,809,0172.81M
2,130,3602.13M
678,6570.68M
GCT at 15%
2,528,1162.53M
1,917,3241.92M
610,7920.61M
Season, including GCT
19,382,22019.38M
14,699,48114.70M
4,682,7394.68M
Swipe the table to see every column →
What it covers · Premiere
All at NCBAt NCB
All in our studioStudio
You saveSave
Production and editingEpisodes 1–4 and 6. In our studio: three episodes a day over two days, with the stage left rigged. At NCB: two a day over three days, plus transport, building costs and half a day of crew time each day to set up and take down cameras, lights and sound.
7,024,3577.02M
6,142,6786.14M
881,6790.88M
Studio saving10% off production and editing when you film in our studio, because the stage, cameras and lights are ours.
—
−614,268−0.61M
614,2680.61M
Location lightingAt NCB: a daylight-balancing lighting package, a gaffer, a grip and power on every NCB day. Our studio is pre-lit.
1,038,0001.04M
—
1,038,0001.04M
Set design and buildAt NCB: every piece built for real and made to travel, with acoustic treatment for the atrium. In our studio the title wall and NCB's spaces are virtual, so only the foreground is built.
2,833,0002.83M
1,454,0001.45M
1,379,0001.38M
Set rig and strikeAt NCB: crew and truck to put the set up and take it down every NCB day. In our studio only the Episode 5 day, which is at NCB on every route.
1,064,0001.06M
266,0000.27M
798,0000.80M
Extra crew and lightingOn two studio days instead of three
754,0000.75M
503,0000.50M
251,0000.25M
Hair and makeupOne fewer shoot day in our studio
208,0000.21M
156,0000.16M
52,0000.05M
Behind-the-scenes stillsOn two studio days instead of three
366,6090.37M
285,3120.29M
81,2970.08M
Extra pre-production
245,0000.24M
245,0000.24M
Same
Extra editing
732,0000.73M
732,0000.73M
Same
Social edits (25)Episodes 1–4 and 6; Episode 5's 10 are in its own line
975,0000.97M
975,0000.97M
Same
Series identity
597,0000.60M
597,0000.60M
Same
Teaser and test cut
492,0000.49M
492,0000.49M
Same
B-roll guest follow shoots
880,0000.88M
880,0000.88M
Same
Lessons from the Journey recreations
982,0000.98M
982,0000.98M
Same
Speaker summaries
786,0000.79M
786,0000.79M
Same
Episode 5 with Hon. Michael Lee-ChinAt NCB on every route, with 10 social edits
3,845,7473.85M
3,845,7473.85M
Same
Season, before GCT
22,822,71322.82M
17,727,46917.73M
5,095,2445.10M
Average per episode, before GCTThe season divided by six, Episode 5 included
3,803,7863.80M
2,954,5782.95M
849,2080.85M
GCT at 15%
3,423,4073.42M
2,659,1202.66M
764,2870.76M
Season, including GCT
26,246,12026.25M
20,386,58920.39M
5,859,5315.86M
The recommended route, Episodes 1–4 in our studio and Episode 6 at NCB, saves J$1,889,406 (Essential), J$2,532,406 (Signature) or J$3,060,406 (Premiere) against filming everything at NCB.
Calmer days for Sheree. No waiting for set-up, no lift chimes and fewer retakes. All in our studio, the five series episodes fit into two days instead of three.
Nothing moves. Our virtual production stage, cameras and lights stay rigged, so there is no truck, no daily set-up and take-down, and every hour on set is spent filming.
Most of the set is virtual. The title wall and NCB's spaces are built into the backgrounds, so only the chairs, rug, tables and props are physical.
Pre-lit and soundproofed. No lighting to bring in, and no announcements, lift chimes or sun moving across the glass, so fewer retakes and resets.
NCB's sense of place stays. The studio backgrounds are filmed inside NCB, so the studio episodes still look and feel like NCB.
Low risk, by design
See it, test it, then commit
See it first
An hour at our studio with an NCB background live on the keyer and a stand-in on the chairs, before you commit.
Check the length
A 5-minute test cut of Episode 1 to show staff before you lock the running time. Included at Signature and Premiere; an add-on at Essential.
One agreed price
After we walk the spaces with NCB facilities, we confirm one price for the agreed scope. After that it changes only by a written change order you approve.
Switch any episode
Any episode can move between our studio and NCB. We reprice it openly, line by line.
You stay in control
One NCB approver, two rounds of changes per cut, and NCB's producer at the multiview on every shoot day.
Likenesses stay private
The AI likenesses here are concept only. No likeness of Sheree Martin or Hon. Michael Lee-Chin is used beyond this proposal without written approval from their offices.
Investment
Season 1, all six episodes
Pick a route and a tier to see the season total. Every figure includes Episode 5 and 35 social edits, and excludes GCT unless marked. Final figures are confirmed after we walk the spaces with NCB facilities.
C · Studio, Episode 6 at NCB · SignatureJ$14,321,698 before GCTJ$16,469,953 including GCT at 15%Average J$2,386,950 an episode, before GCT (Episode 5 included)J$2,532,406 less (15%) than filming everything at NCBOur recommendation
Swipe the table to see every column →
Season 1 · 6 episodes (JMD, before GCT)
Essential
Signature
Premiere
A · Our studio (lowest price)
10,222,157average 1,703,693 an episode
12,782,157average 2,130,360 an episode
17,727,469average 2,954,578 an episode
C · Studio, Episode 6 at NCB (recommended)
11,485,698average 1,914,283 an episode
14,321,698average 2,386,950 an episode
19,762,307average 3,293,718 an episode
B · All at NCB
13,375,104average 2,229,184 an episode
16,854,104average 2,809,017 an episode
22,822,713average 3,803,786 an episode
C including GCT at 15%
13,208,553
16,469,953
22,726,653
Episode 5, with Hon. Michael Lee-Chin, is in every figure. It is priced at J$2,769,747 (Essential), J$3,152,747 (Signature) or J$3,845,747 (Premiere), including its 10 social edits, and can be bought at a higher tier than the rest of the season. Its share of hair and makeup and set rigging sits in those lines.
A series costs less per episode. Planning, set-up, graphics and edit templates are shared, so each episode after the first takes less time to prepare and cut.
Episodes can move between routes. Any episode can switch between the studio and NCB; we'll reprice it on request. Each extra day at NCB adds transport, rigging and set costs, so moving an episode onto an NCB day that is already booked costs least.
Optional add-ons
JMD, before GCT. GCT at 15% is added on the invoice.
Swipe the table to see every column →
Add-on
Price
Extra social clip, vertical or horizontal
34,000 each
Extra NCB space filmed as a studio background
203,000 per space
B-roll follow shoot, one camera
320,000 per half day
Season teaser (Essential)
135,000
5-minute internal test cut (Essential)
272,000
Teaser and test cut together (Essential)
352,000
Downloadable speaker summary
131,000 per episode
Lessons from the Journey virtual recreation (Essential, Signature)
164,000 per episode
Episode landing pages, six pages with video and downloads
500,000 build + 25,000 a month hosting
Wireless mic kit for NCB's own staff vox pops
At cost (about US$100 rental)
Episode 5 invited audience
We will quote
YouTube promotion: Shorts, the Legacy premiere and a paid campaign in Jamaica and the diaspora
We will quote, sized to the reach you want
Themed studio world
We will quote per world
Two rounds of changes per cut are included; further rounds are J$10,000 each. Footage from YouTube or other third parties needs rights clearance, so B-roll from those sources is cleared through the guest or rights-holder.
Production schedule
From yes to launch in a month
Episode 1 can launch on Thursday 5 November if NCB confirms the route and tier by Tuesday 6 October. A letter of intent holds the dates while the PO is raised, and pre-production starts the same day.
Episode 5 gets its own Saturday, on its own edit track (about two weeks plus approvals), so it never holds up the launch.
The timeline is shown for the recommended route: Episodes 1–4 in our studio and Episode 6 at NCB on 24 October. All in our studio, at three episodes a day, Episodes 1–4 and 6 fit into 10 and 17 October.
Approvals: we assume NCB's consolidated feedback within three working days per cut, with two rounds.
After launch: one release a month, as Sheree asked. Staff answers to My Question for NCB can feature from Episode 2.
Call and studio visit: 30 minutes on the routes and tiers, then an hour at our studio to see the set live
Route, tier and Episode 1–2 guests confirmed; a letter of intent holds the dates
Walk-through with NCB facilities; NCB backgrounds filmed after hours
Shoot: Episodes 1 and 2, with Sheree's intros and Lessons segments for both
Shoot: Episodes 3 and 4
National Heroes Day
Episode 1 first cut
Shoot: Episode 6, plus pick-ups and teaser lines
Episode 1 second cut
Episode 1 sign-off
Final files to NCB comms
Launch: Episode 1
What we need from NCB
To hold 10 October and 5 November
Route and tier by Tuesday 6 October, to hold the 10 October shoot and the 5 November launch.
Guest confirmations: names and titles for the Episode 3 GiftMe guests, and whether Episode 1 adds a guest from payments.
Episode 6 details: the players taking part, the division name and result, and any match photos or video.
Episode 5 date from the chairman's office, any 190th-anniversary branding to carry, and whether to invite a small audience.
Building access: Saturday access, security, power, and HVAC, announcements and lift chimes paused while we record (Episode 5 on every route; Episode 6 on Route C; every episode on Route B), a short after-hours window to film backgrounds (Routes A and C), and a walk-through of the five spaces with NCB facilities.
One approver, with consolidated feedback within three working days for each of the two rounds per cut.
Terms
Prices are in Jamaican dollars and exclude GCT at 15% unless marked.
Prices are estimates and may change, up or down, as details are confirmed. We are happy to negotiate, pass savings on to NCB and adjust once we have talked. Once we have walked the spaces, we confirm one price for the agreed scope; after that, changes are made only by written change order.
This proposal is dated 2 October 2026 and is valid for 30 days.
Payment terms: we propose 40% on signing, to book the crew, studio and dates; 30% after the October shoots; and 30% on delivery of Episodes 1–4 and 6, with Episode 5 invoiced on delivery. We are happy to agree a schedule that suits NCB's procurement.
Rescheduling: a shoot day moved with less than 72 hours' notice is charged at cost for crew and equipment already booked.
Two rounds of changes per cut are included.
Ownership and usage: NCB owns the finished episodes, clips and graphics once paid in full, for internal and public use. We keep the raw footage securely for 12 months, then hand it to NCB or delete it on request. We don't use any footage, or the likenesses in this proposal, in our own promotion without NCB's written approval, and we treat everything filmed as confidential. Licensed library music for the agreed uses is included. Third-party footage is cleared through the guest or rights-holder; any licence fees are passed through at cost, with NCB's approval first.
Next step
A short call to walk through the routes and tiers, then an hour at our studio to see the set live.
We are open and flexible. Once we are talking, we will shape a budget that works for NCB and help you make each decision.
Craig Powe, CEO, and Richard Stewart, Chief Video Editor & Narrative Expert, Adtelligent · +1 876 616 8756
Episode 1
Episode 2
Episode 3
Episode 4
Episode 5 · The flagship
Episode 6
Real client workWatch · 3:00
Real footage · 4KWatch · 2:52
Real client workWatch on BOJ's channel
