Episode 1Influence Is the New Currency
Scott Dunn (Dream Entertainment) and Romeich Major (Romeich Major Marketing)
Authenticity, influence and modern leadership in emerging industries.
Revised budgets · currentOriginal proposal, 2 October ↗
For Jodianna Clarke, Roland Henry and Tajhera Ragoo, National Commercial Bank Jamaica, following your note of 2 October
In Good Company with Sheree Martin · Season 1
We heard you.
We simplified the production, not the show. The same six conversations, three ways to make them.
What stays the same
The same six conversations
The line-up, the warmth and Sheree's own voice stay exactly as planned. Each episode runs 30–45 minutes; Episode 5 runs up to an hour and is released in two parts.
Episode 1
Episode 2The Balancing Act
Sanya Goffe and Paige Golding
Ambition, wellbeing, family and purpose.
Episode 3The Art of Innovation
Kevin Kennedy and Rashidi Thomas (GiftMe)
Courage, creativity and leading transformation.
Episode 4Bridging the Generation Divide
Three generations of NCB team members
A roundtable on culture, mentorship and the future of work.
Episode 5 · The flagshipThe Legacy
Hon. Michael Lee-Chin, Chairman, NCB Financial Group
Stewardship, legacy and building institutions that endure, for NCB's 190th anniversary.
Episode 6Champions (working title)
Five or six players from NCB's Business House division-winning football team
Teamwork and winning together.
In every episode
Lessons from the Journey
About five minutes. Sheree shares one defining moment from her career and the practical lesson she took from it.
In every episode
My Question for NCB
Every guest leaves one question for the organisation. The best questions become clips, so staff can answer them on their phones.
Release cadence: one release a month from 5 November, as Sheree asked. Episode 5 is released in two parts. If NCB splits other long conversations in two, one part a month stretches the season towards 12 months.
How we keep it simple
Simpler production, the same show
What makes the show work is Sheree and her guests. We spend where staff will notice it, and keep everything else simple.
One camera, three shots
In our studio, one 4K cinema camera holds a wide of everyone in full, and we cut in closer shots from the same picture. A second camera can be added. At NCB we use two. See it below.
Recorded straight to our server
Studio episodes record directly to our server as lightly compressed 4K, so there is less to store and move. The edit can cut closer shots from the 4K picture, and a 4K master can be added.
A real set, simply dressed
Lounge chairs, a rug, plants, warm lamps and an In Good Company sign. In our studio it sits in front of an NCB background; in Option 2 we dress a room at NCB; in Option 3 NCB dresses its own room.
Light that flatters
Soft light on every face, with NCB blue and a warm accent on the background, never on people.
A small, experienced crew
In Options 1 and 2: a director of photography, a camera and sound operator, a producer on the floor and a makeup artist (full face for Sheree, light makeup for everyone else). In Option 3: a crew of three, with our editor switching the cameras live.
The conversation comes first
Cutting between shots carries the edit. In Options 1 and 2 we tidy the pace and add an intro, names and captions; in Option 3 each episode comes back as filmed, trimmed only for ums and long pauses, with a branded overlay.
See it
One camera, a wide and two close-ups
In our studio, one 4K camera frames everyone in full. Because the picture is 4K, the edit can cut in close on Sheree or on her guests and still deliver sharp full HD. Press the buttons, or let it switch on its own.
Camera 1 · wideAI concept
The small frame in the corner shows the whole picture. The gold box is the part the edit uses. Both close-ups come from that one camera. A second camera can be added if the budget allows.
Sheree MartinPresident & CEO, NCBCaptions in Options 1 and 2, so staff can follow on the atrium screens with the sound off.
In Good CompanyLessons from the JourneyCaptioned for phones and WhatsAppAI concept frames show the direction only. Sheree Martin appears as an AI likeness based on her official portrait; the guests are fictional. The caption and titles show placement, not real wording.
Three options
Three ways to make Season 1
All three cover all six episodes over two Saturdays. Every line is shown, in Jamaican dollars before GCT.
AI conceptOption 1 · Best value
In our studio
J$4,621,000before GCT, all six episodes
J$5,314,150 with GCT at 15% · average J$770,167 an episode before GCT
All six episodes in our studio, in front of an NCB background, with one 4K camera, our makeup, names and captions. The same show as Option 2 for J$590,000 less. The Legacy can be filmed at NCB instead, for J$647,000 more.
- Planning and guest coordination for all six episodes305,000
- The set: our furniture and a few branded pieces, in front of an NCB background we film at NCB433,000
- Two Saturdays in our studio, three episodes a day: one 4K cinema camera recording straight to our server, our studio lighting, a lapel mic on everyone and a small crew1,060,000
- Makeup on both studio days: full face for Sheree, light makeup for everyone else104,000
- Series look: intro, name titles, end card and the clip template206,000
- Editing all six episodes: closer shots cut from the 4K picture, sound levelled, an intro, names and captions, limited B-roll, two rounds of changes; full HD. Episode 5 gets a fuller edit1,606,000
- 18 captioned clips for phones (3 an episode, including the best My Question for NCB moments)612,000
- Producing, reviews and delivery for every channel, and the footage kept safe for 12 months295,000
- Season total, before GCTJ$4,621,000
AI concept
Option 2 · Filmed at NCB
Simple at NCB
J$5,211,000before GCT, all six episodes
J$5,992,650 with GCT at 15% · average J$868,500 an episode before GCT
A small room at NCB that we dress simply, with coloured accent light, our makeup, names and captions. The set stays in NCB storage between Saturdays, and NCB provides food and drink.
- Planning and guest coordination, including a walk-through of the room with NCB facilities354,000
- The set: NCB's own chairs with a rug, plants, lamps, coloured lights and an In Good Company sign, stored at NCB between days446,000
- Two Saturdays at NCB, three episodes a day, with the room set up on the Friday evening before the first: two cinema cameras, soft lighting with coloured accents, a lapel mic on everyone and a small crew1,512,000
- Makeup on both Saturdays: full face for Sheree, light makeup for everyone else104,000
- Series look: intro, name titles, end card and the clip template206,000
- Editing all six episodes: camera switching as the main edit, sound levelled, names and captions, an intro and limited B-roll; full HD. Episode 5 gets a fuller edit1,606,000
- 18 captioned clips for phones (3 an episode, including the best My Question for NCB moments)612,000
- Producing, reviews and delivery for every channel, and the footage kept safe for 12 months371,000
- Season total, before GCTJ$5,211,000
AI conceptOption 3 · Lowest cost
Essentials at NCB
J$2,626,000before GCT, all six episodes
J$3,019,900 with GCT at 15% · average J$437,667 an episode before GCT
About J$503,000 an episode with GCT. NCB dresses its own room and arranges makeup; we film with two cameras switched live and return each episode as filmed, trimmed only for ums and long pauses, with one branded overlay and three clips an episode.
- Planning: run sheet and call times; NCB books the guests127,000
- Two Saturdays at NCB, three episodes a day: two cinema cameras switched live on site, a lighting kit and a lapel mic on everyone. NCB dresses the room and does makeup1,095,000
- One branded overlay: frame, logo and name titles81,000
- Each episode returned as filmed live, trimmed only for ums and long pauses, with the overlay; one round of small fixes; full HD539,000
- 18 clips for phones (3 an episode), cut straight from the episode with the overlay612,000
- Delivery for every channel, and the footage kept safe for 12 months172,000
- Season total, before GCTJ$2,626,000
Why the studio costs less: Options 1 and 2 are the same show. At NCB we pay for transport, setting up and taking down each day, a lighting kit and set pieces; in our studio the lights stay rigged and the set is already there. That is J$590,000 less in our studio.
The Legacy: in Option 1 Mr Lee-Chin films in our studio, or at NCB for J$647,000 more. In Options 2 and 3 it is the first conversation on 24 October at NCB; if another date suits the chairman better, we film it on its own date for J$647,000 more.
Our full proposal, with three cameras, built sets and more episodes filmed on location, is still available.See the full proposal ↗
Side by side
What's included
Everything below is in the price, apart from food and drink. Anything else is listed under Add more, with its price.
Swipe the table to see every column →
| Option 1 in our studio | Option 2 simple at NCB | Option 3 essentials at NCB | |
|---|---|---|---|
| Episodes | All six, with Episode 5 in two parts | All six, with Episode 5 in two parts | All six, with Episode 5 in two parts |
| Where we film | Our studio | A room at NCB that we dress | An NCB room, dressed by NCB |
| Sheree's time | Two Saturdays at our studio | Two Saturdays at NCB | Two Saturdays at NCB |
| Cameras | One 4K cinema camera, with closer shots cut from the 4K picture | Two cinema cameras, switched in the edit | Two cinema cameras, switched live on site |
| The set | Our lounge furniture and branded pieces, in front of an NCB background | NCB's chairs with our rug, plants, lamps, coloured accent light and sign | NCB dresses its own room |
| Sound | A lapel mic on everyone, in our soundproofed room | A lapel mic on everyone, with sound blankets out of shot | A lapel mic on everyone |
| Makeup | Full face for Sheree, light makeup for everyone else | Full face for Sheree, light makeup for everyone else | NCB arranges it; our artist can be added |
| The edit | Closer shots cut from the 4K picture, sound levelled, intro, names and captions; a fuller edit for The Legacy | Camera switching as the main edit, sound levelled, intro, names and captions; a fuller edit for The Legacy | As filmed live, trimmed only for ums and long pauses, with one branded overlay |
| Captions | On every episode | On every episode | Can be added |
| Clips for phones | 18 captioned clips, 3 an episode | 18 captioned clips, 3 an episode | 18 clips, 3 an episode, cut straight from the episode with the overlay |
| Rounds of changes | Two per episode | Two per episode | One round of small fixes |
| Delivered | Full HD for the atrium screens, Teams, WhatsApp and YouTube | Full HD for the atrium screens, Teams, WhatsApp and YouTube | Full HD for the atrium screens, Teams, WhatsApp and YouTube |
| Food and drink | Provided by NCB, or arranged by us at cost | Provided by NCB | Provided by NCB |
What's different
What we've simplified from the full proposal
Everything we've changed or left out to bring the cost down. Anything left out can be added back. Signature and Premiere are the higher tiers of our full proposal.
Swipe the table to see every column →
| Full proposal | Option 1 in our studio | Option 2 simple at NCB | Option 3 essentials at NCB | |
|---|---|---|---|---|
| Cameras | Three cinema cameras; a fourth at Premiere | One 4K camera; a second can be added | Two cinema cameras | Two cinema cameras, switched live |
| Picture delivered | Full cinema finish | Full HD; a 4K master can be added | Full HD; a 4K master can be added | Full HD |
| Where we film | Our studio and NCB, by route | Our studio; The Legacy at NCB can be added | A room at NCB that we dress | An NCB room, dressed by NCB |
| The set | A built set and title wall, with up to three NCB backgrounds | Our furniture and branded pieces, with one NCB background | NCB's chairs, simply dressed, with coloured accent light | NCB dresses its own room |
| Lighting and crew | Fuller lighting, a director and a fourth camera at the higher tiers; location lighting and rigging at NCB | Our studio lighting and a small crew | A lean lighting kit and a small crew | A lighting kit and a crew of three |
| Makeup | Hair and makeup on every day | Full face for Sheree, light for guests | Full face for Sheree, light for guests | NCB arranges it; our artist can be added |
| Edit and graphics | Full edit with motion graphics, a series identity and props that stay with NCB | Intro, names and captions | Camera switching as the main edit, with intro, names and captions | As filmed live, trimmed only for ums; one branded overlay; captions can be added |
| Clips for phones | 35 | 18 | 18 | 18, cut straight with the overlay |
| The Legacy | Its own day: the lift, the terrace walk and the chandelier room | In our studio, or at NCB as an add-on | One simple set-up at NCB, first on 24 October | In the same NCB room, first on 24 October |
| Teaser and test cut | Included at Signature and Premiere | Not included; a teaser can be added | Not included; a teaser can be added | Not included; a teaser can be added |
| B-roll of guests at work | Included at Signature and Premiere | Not included; can be added | Not included; can be added | None |
| Stills, Lessons recreations, speaker summaries, external cut | Included at Premiere | Not included; speaker summaries can be added | Not included; speaker summaries can be added | Not included; speaker summaries can be added |
| Rounds of changes | Two per cut | Two per episode | Two per episode | One round of small fixes |
Add more
Add only what NCB wants
Each price is before GCT. The extras are grouped by the option they go with.
Option 1
In our studio
- Film The Legacy at NCB, one simple set-upJ$647,000
- A second camera in the studio, switched liveJ$389,000
- A further NCB background, filmed after hourseachJ$203,000
- A 4K master of every episodeJ$69,000
- Filmed B-roll of a guest at workper half dayJ$320,000
Option 2
Simple at NCB
- The Legacy on its own date at NCBJ$647,000
- A 4K master of every episodeJ$69,000
- Filmed B-roll of a guest at workper half dayJ$320,000
Option 3
Essentials at NCB
- Captions on all six episodesJ$80,000
- Our makeup artist on both SaturdaysJ$104,000
- The Legacy on its own date at NCBJ$647,000
Every option
With any option
- A 60-second season teaserfor the launch weekJ$108,000
- An extra clip for phoneseachJ$34,000
- A speaker summaryper episodeJ$131,000
Want something else from the full proposal, such as a third camera or a small invited audience for The Legacy? Tell us and we'll price it the same way.
Build your season
Shape it to your budget
Pick an option, add only what matters to NCB, and see the total. Then send your choice to Craig and we'll confirm it.
Film The Legacy at NCB, one simple set-upJ$647,000, before GCT
A second camera in the studio, switched liveJ$389,000, before GCT
Captions on all six episodesJ$80,000, before GCT
Our makeup artist on both SaturdaysJ$104,000, before GCT
A 60-second season teaser for the launch weekJ$108,000, before GCT
Extra clipsJ$34,000 each, before GCT
A 4K master of every episodeJ$69,000, before GCT
Filmed B-roll of a guest at work, half daysJ$320,000 each, before GCT
Speaker summaries, per episodeJ$131,000 each, before GCT
Further NCB backgrounds, filmed after hoursJ$203,000 each, before GCT
The Legacy on its own date at NCBJ$647,000, before GCT
Option 1 · in our studio
J$4,621,000 before GCT
J$5,314,150 including GCT at 15%
Average J$770,167 an episode, before GCT
Proof, not promises
Real work from our studio
The frames above are concepts. This is real: our studio, our cameras and conversations we have produced for clients.
Real footage · showreel
Adtelligent Studios in 94 seconds, with sound: the stage, the keyer, the cameras and the control room, with work for JDIC, the Students' Loan Bureau and others.
Real client work
Real client workWatch · 3:00
Real footage · 4KWatch · 2:52
Real client workWatch on BOJ's channelCOVIDcast for the PSOJ
A weekly conversation series that ran to 80 episodes, produced by Adtelligent.
The Ministry of Industry at our studio
The State Minister's tour of the studio, control room and soundproofed room.
Read ↗
Production schedule
Still on for 5 November
With an option, or a budget, by Friday 9 October, Episode 1 can still launch on Thursday 5 November. A letter of intent holds the dates while the PO is raised.
- Two Saturdays, 17 and 24 October, three conversations each, in every option, with The Legacy first on 24 October.
- Option 2 needs the room on the Friday evening before the first Saturday, so we can set up quietly and start on time. Option 3 needs the room dressed by NCB before 7:00 on each Saturday.
- Approvals: we assume NCB's consolidated feedback within three working days, with two rounds of changes per episode in Options 1 and 2, and one round of small fixes in Option 3.
- After launch: one release a month, as Sheree asked.
- A short call on the options, and a look at the set: at our studio, or the room at NCB
- Your option, and the guests for Episodes 1–3, confirmed; a letter of intent holds the dates
- Run sheets and questions agreed with NCB; Option 1's NCB background filmed after hours; Option 2's set built in the room on Friday evening
- Filming: Episodes 1, 2 and 3, with Sheree's intros and Lessons segments
- National Heroes Day
- Episode 1 first cut
- Filming: The Legacy first, then Episodes 4 and 6
- NCB's changes to Episode 1, consolidated
- Episode 1 revised cut
- Episode 1 sign-off
- Final files to NCB comms
- Launch: Episode 1
What we need from NCB
To hold 17 October and 5 November
- Your option, or your budget, by Friday 9 October. If none of them fits, a figure is enough and we'll design the season around it.
- Guest confirmations: the Episode 3 guests from GiftMe and their titles, and whether Episode 1 adds a guest from payments.
- Episode 6 details: the players taking part, the division name and result, and any match photos or video.
- The Legacy: a slot from the chairman's office, first thing on 24 October, and any 190th-anniversary branding to carry.
- Option 1: a short after-hours window to film one NCB background, and food and drink for the studio days (or we arrange it at cost).
- Option 2: a room of about 6 × 5 m with a 2.7 m ceiling on both Saturdays and the Friday evening before, lockable storage nearby, air conditioning we can turn down while recording, a facilities contact, food and drink, and NCB's own chairs. Episode 6's team may need a larger room, such as the boardroom.
- Option 3: the same room, dressed by NCB with its own furniture, makeup for Sheree and the guests, power, quiet, and food and drink.
- One approver, with consolidated feedback within three working days for each round.
Terms
The terms, in brief
These apply to all three options, unless an option is named.
- Prices
- In Jamaican dollars, before GCT at 15% unless marked, and valid for 30 days from 2 October 2026. These options simplify our proposal of the same day, which is still available.
- One agreed price
- Prices are estimates and may move up or down as details are confirmed. Once the option and guests are set, we confirm one price for the agreed scope. After that, changes are made only by written change order.
- Payment
- We propose 40% on signing, to book the crew, studio and dates; 30% after the October filming; and 30% on delivery. We're happy to agree a schedule that suits NCB's procurement.
- Rounds of changes
- Two rounds per episode in Options 1 and 2. One round of small fixes in Option 3.
- Rescheduling
- A filming day moved with less than 72 hours' notice is charged at cost for the crew and equipment already booked.
- Ownership
- NCB owns the finished episodes, clips and graphics once paid in full, for internal and public use.
- Footage and confidentiality
- We keep the raw footage securely for 12 months, then hand it to NCB or delete it on request. Everything filmed is confidential, and we don't use any footage, or the likenesses in this proposal, in our own promotion without NCB's written approval.
- Music and stock footage
- In Options 1 and 2, licensed library music and limited B-roll, from free-licence stock or footage NCB supplies, are included for the agreed uses.
Next step
A short call to walk through the three options. Or tell us your number, and we'll shape Season 1 around it.
We'd love to make this show with you, at a budget that works for NCB.
Craig Powe, CEO, and Richard Stewart, Chief Video Editor & Narrative Expert, Adtelligent
+1 876 616 8756
cpowe@adtelligent.net